THE WARMTH OF OTHER SUNS
— Liu Xiaodong
六月 22 — 九月 22, 2019
The Warmth of Other Suns: Stories of Global Displacement presents 75 historical and contemporary artists—from the United States as well as Algeria, Bangladesh, Belgium, Brazil, Egypt, Ghana, Iraq, Lebanon, Mexico, Morocco, Syria, Turkey, UK, Vietnam, and more—whose work poses urgent questions around the experiences and perceptions of migration and the current global refugee crisis.
六月 13 — 六月 16, 2019
From June 13 to June 16, 2019 Massimo De Carlo gallery (Booth R3, Hall 2.1) will participate in Art Basel, in Basel.
JOHN M ARMLEDER
— John Armleder
六月 07 — 九月 01, 2019
John M Armleder has created a unique indoor and outdoor experience. He has developed new, expansive installations specially for the SCHIRN, combining highbrow culture and the everyday world, the profound and the banal all in an ambivalent way. He blends chance and planning, and in many cases exhibition visitors are actively included in the artistic process.
IT'S NOT WHAT YOU THINK
— Elmgreen & Dragset
六月 07 — 十月 27, 2019
“It’s Not What You Think” transforms Il Salotto into a different setting: an abandoned, underground boiler room with tubes crisscrossing the space. The artist duo continues their practice of altering art spaces by turning the white cube gallery room into a location that contrasts the discreet format in which contemporary art is normally presented. Industrial metal tubes of various sizes dominate the space, re-directing visitors’ movements as they must step over, bend under, or walk around the tubes in order to navigate the site.
NOTTI MAGICHE. ARTE ITALIANA ANNI NOVANTA DALLA COLLEZIONE SANDRETTO RE REBAUDENGO
— Massimo Bartolini, Maurizio Cattelan, Paola Pivi
六月 06 — 九月 29, 2019
Curated by Giorgina Bertolino and Irene Calderoni.
— Olivier Mosset
五月 30 — 九月 08, 2019
Since the mid-1960s, Olivier Mosset (b. 1944 in Bern, lives in Tucson, Arizona) has been one of the most radical representatives of a contemporary manner of painting that undermines the ideal of artistic originality by means of objectivity and seriality. Taking the question of what painting is and how it works as a starting point, he has produced a multifaceted oeuvre of monochromes and abstract geometric works that reject any mystifying attribution of meaning, as exemplified by the pieces now presented at Museum Haus Konstruktiv.
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