StampaDan Colen
Dan Colen è nato a Leonia, New Jersey nel 1979. Vive e lavora a New York.
Esposizioni Personali
2010
Karma, Galleria Massimo De Carlo, Milano, I
2008
I LIVE there..., Gagosian Gallery, London, GB
2006
NO ME, Peres Projects, Berlin, D
Secrets and Cymbals, Smoke and Scissors (My Friend Dash’s Wall in the future), Peres Projects, New York, USA
Potty Mouth, Potty War, Pot Roast, pot is a really Kick, Gagosian Gallery, New York, USA
2003
Seven Days Always Seemed Like a Bit Of An Exaggeration, Rivington Arms, New York, USA
Esposizioni Collettive
2010
Karma, Galleria Massimo De Carlo, Milano, I
Skin Fruit: Selections from the Dakis Joannou Collection, a cura di Jeff Koons, New Museum, New York, USA
2009
Minneapolis, Peres Projects, Los Angeles, USA
Abstract America: New Painting and Sculpture, Saatchi Gallery, London, GB
New York Minute, a cura di Kathy Grayson, Macro Future Museum, Roma, I
Minneapolis, Peres Projects, Los Angeles, USA
2008
Wet Pain, Step Brother, Palazzo Gallery, Brescia, I
The Unforgiven, Stellan Holm Gallery, New York, USA
Substraction, Deitch Projects, New York, USA
Sack of Bones, Asia Song Society, New York, USA
Meet Me Around the Corner - Works from the Astrup Fearnley Collection, Astrup Fearnley Museum of Modern Art, Oslo, N
Closing Down Sale, Michelle Maccarone, New York, USA
2007
Beyond Zero, Peres Projects, Atene, GR
Nest, Deitch Projects, New York, USA
Pop art is, Gagosian Gallery, London, GB
Unholy Truths, Initial Access, Manchester, GB
Generation, Art Gallery of Alberta, Alberta, CND
Sweet Bird of Youth, a cura di Heidi Slimane, Arndt & Partner, Zurigo, CH
Fractured Figure - Works from the Dakis Joannou Collection, a cura di Jeffrey Deitch, Deste Foundation Centre For Contemporary Art, Atene, GR. Catalogo
Last Attraction Next Exit, a cura di Neville Wakefield, Max Wigram Gallery, London, GB
Absent Without Leave, Victoria Miro Gallery, Londra, GB
Beneath the Underdog, Gagosian Gallery, New York, USA
2006
Fantastic Politics, The National Museum of Architecture and Design, Oslo, N
USA Today, Royal Academy of Arts, Londra, GB
Survivor, a cura di David Rimanelli, , New York, USA
Defamation of Character, PS1 Contemporary Art Center, New York, USA
Mid-Life Crisis, a cura di Ivana Salander e Tara Subkoff, Salander-O’Reilly Galleries, New York, USA
Axis of Praxis, a cura di Nate Lowman, Midway Contemporary Art, Minneapolis, USA
Infinite Painting. Pittura Contemporanea e Realismo Globale, a cura di Francesco Bonami e Sarah Cosulich Canarutto, Villa Manin Centro d’Arte Contemporanea, Passariano (UD)
Whitney Biennial 2006: Day for Night, The Whitney Museum of American Art, New York, USA. Catalogo
Axis of Praxis, a cura di Nate Lowman, Midway Contemporary Art, Minneapolis
2005
Bridge Freezes Before Road, a cura di Neville Wakefield, Barbara Gladstone Gallery, New York, USA
Stampa Bibliografia
2010
Spampinato, Francesco. ’’Dan Colen’’, Flash Art, n. 283, maggio 2010, p. 91.
Meneghini, Matteo. ’’Dan Colen’’, Exibart Onpaper, n. 66, giugno 2010, p. 71.
Sarica, Federico. ’’“Oh, merda?”’’, Rolling Stone, n. 81, luglio 2010, pp. 112-113.
2009
Kathy Grayson (a cura di). New York Minute: Sixty Artists on the New York Scene, catalogo della mostra, MACRO Museum, Roma, O.H.W.O.W., 2009.
Vogel, Carol. ’’Neo-Factory’’, Vogue Homme, 2 Aprile 2009.
2008
Cattelan, Maurizio. ’’Dan Colen’’, Muse Magazine, 12 Dicembre 2008, pp.22.
Blair, Dike. ’’Dan Colen’’, Purple Magazine, 25 Marzo 2008, p.22.
Bodin, Von Claudia. ’’Die Erfolgsbande’’, Art, 1 Ottobre 2008, pp. 68-75.
2007
Blair Taylor, Mary. ’’Dan Colen’’, Flaunt Magazine, 9 Agosto 2007.
Hirsch, Faye. ’’Dash Snow and Dan Colen at Deitch ’’, Art in America, 1 Ottobre 2007.
Wakefield, Neville. ’’Share your Feelings’’, I-D Magazine, 15 Febbraio 2007.
2006
Brooks, Amra. ’’Dan Colen: Peres Projects’’, Art Forum, 6 Giugno 2006.
USA Today, catalogo della mostra, Royal Academy of Arts, Londra. Londra, Royal Academy of Arts- The Saatchi Gallery, 2006.
2002
Pieroni, Paul. ’’New York’’, Art World, 1 marzo 2002, pp. 64-67.
Pieroni, Paul. ’’New York’’, Art World, 2 Marzo 2002.
